PLAY

Compassion plays around the edges of a smile. I can’t smile without my heart opening. And the reverse is true.

I’m playing games online, this morning the box I was playing in got tilted upside down. It was really hard to get my mind to push the “up” arrow when I wanted to go down – and, of course the reverse. Life gives me more play like that than I know but I often act as if I’m still upright. This game didn’t accommodate denial. Didn’t allow for my reality. It demanded it’s own reality. And I did better when I complied.

Life’s like that sometimes.

Fences Make Good Neighbors

Notice the fence. Do you know where they would go if it wasn’t there? I don’t either.

it’s funny thinking about THAT fence. When we put it up – as soon as we moved in – the town got all twisted about it. Made us move it. Newspaper articles were written about it. Invariably about the wrong section of the fence, not the one the town wanted moved. That was because,looking at the fence, it wasn’t really obvious why it should be moved.We received letters telling us of other fences in town that were closer to the road than ours. A friend asked his friend who was the town’s road foreman at the time, had it been his (our friend’s) house, would he have made him move it? No.

So boundaries can be contentious and ambiguous. But the quote of the title usually means that if you know who you are, tell people it isn’t a good good time to call or whatever your boundary situation is then you become reliable and trustworthy.

When my sister – who can talk a lot – used to call my mother, my mother would complain afterward that she had missed an appointment or something and blamed my sister for talking. That’s nuts, right?

I love my fence, all of it, and if you call I’ll tell you if it’s a good time and if you ask that’s great. Then we’ll be easy and not trying to get tangled in what we don’t know.

And let there be room to run free!

Take A Breath!

This morning when I woke up I was already breathing. I didn’t have to try, I didn’t do anything about the sun coming up, it was taking care of that. The moon was new Saturday and I felt renewed – none of it under my control and all of it for my appreciation. I have lists and lists of appreciation. Filled with things like the moon setting or rising, ditto the sun. Flowers, grass, dandelions, rain all duly noted, all filed under Appreciation. I have learned to do this more and more. I started with my own personal coach and now that I coach and am coached I get some of the smartest and most wonderful (my clients) people on this earth to follow along with me and then I do it better and better.

You know what they say – if you want to learn something, teach it. That’s what I say anyway. I love what I do. I love the paint on my hands and the voices in my ear, the dogs, cats and horses all around reminding me that the most wondrous moments are the ones I pay attention to – and they would add, with them, and I would concur.

 

Careful of the How


How do we engage ourselves, know who we are, what we want to do, be, when we grow up or any other time? When I was young I thought of my life as an out-of-body experience. In the world of Meyers-Briggs (did you know they’re WOMEN? – I didn’t until recently – I assumed that only men could make those formulas) I am an INFP and very into the “F.” So all that hiding in plain sight I did in my birth family was mirrored – think Narcissus – by my roots of shame. I may have looked like a tree – or a stump according to my parents – but all I see now is how powerful the law of attraction is. If gravity holds us in our seats, the law of attraction gets us what we ask for. I was the kid my parents asked for, maybe you were too.
It takes years of courage to know who we are and what to do about it. Often others know who we are way before we do but are at a loss for what to do about it. In 1990 I was deep into photographic processes. Hours in the darkroom mixing paper, chemicals and film finally produced what I found to be an excitingly deep and surprising outcome.

I became enamored of the process, got some proficiency and got a body of work together which I took around to photography galleries. One said,”It’s too beautiful, I’ll never sell it.” Another, “It’s too processed.” Women loved it. Men didn’t.

So it’s like a Buddhist story I tell about a farmer whose son is everything to him. The son goes to war, the son dies, the farmer is nothing. The son comes back, the farmer has everything. Ilusions. The farmer has an illusion. When I discovered the process I thought I was so cool, I thought, “this is who I am.” No one was doing anything like it. Great. Then when it didn’t shake the world, I felt like a fool, a shit, not an artist, not worthy.
It’s taken years just to love it again. Without the need for it to go anywhere. – Oh, I should say that it did win a spot at the Corcoran Gallery in the Smithsonian. And I thought that was so cool. I thought it would go on from there. I thought, I thought. But it didn’t and I still love the work and I still love the process and I think I’m cool.


I used to write poems a lot when I was young and then older and then older, in fact I’m still writing them. I put up this photo of our dog Cho because he’s really stepping out. Look at his reach and his legs crossing getting ready for his next reach. You’d never know he’s sixteen – a lot of dog years in that forty-five pound body.
I want my writing to be like his hunting. The quality of his reach is impressive, he is steadfast in his focus and nothing ever stops him – from barking or jumping the fence – he is all about showing. I never don’t know what he means.
My hand went numb the first time I formally sat down to write a poem. Not only did I not know what to write, I couldn’t. I got over it and I wrote for many years, gave readings, became a poet around town. I stopped writing for the longest time because I was telling not showing. I wasn’t paying enough attention to dogs – or any animal-being. My first new poem that I could really relate to was about the death of my dog Esme. Her death stunned me – it was sudden, heart attack – but I had leaned on her in a way I don’t think I’ve ever let myself. The quality of her presence drifted into my soul like air I was breathing without thinking about breath.
Here’s a photo of her

and here’s the poem, and yes, it is the anniversary of her death two years ago.

Esme – Greyhound Friend
She rescued me when I rescued her

Today, Monday, is the last time – at 4:30 pm – that I’ll
Be able to say, “last week Esme was…”
My heart is a landslide of rubble, scary places, bad footing.
Now, this day, this minute a week ago I was lying next to her
I was taking her head in my hand, I was feeling her pulse
Her breath, her eyes on me. I felt her limbs be cold in an odd way.
I won’t forget that. I felt her warm belly. I felt her warm ears
And her cold nose and I thought and thought breathing with her
As I was, breathing without thinking of breath, or that thing that rhymes with it.
That point on the trajectory of each life that seeks level, that is level.
Everything else is up and down, hot and cold, short and long.
But death is a flat line. Death is a long time. Death is No More.

Today, Monday, it is 1:45pm. I didn’t know. I had no clue.
When I put her in my car she was breathing. It never occurred to me
She would stop. Or anything. Nothing much was occurring – and everything.
Halfway there I knew. I kept driving. But I knew.
And didn’t wouldn’t couldn’t know – no.
A week ago right now I had no clue. What a blessing.
Her life was a blessing. She blessed me. Her every move
Her looks – they were “come hither” and I did
I can’t bear to put a period with these sentences
Time will tell
Time is telling me
This is Monday, it is almost 2
I still have 2 ½ hours left
And I don’t even know it

Body Art


I remember in third grade being the only one who didn’t know a certain song – that Everyone knew. And it was that same year that Linda Varney asked me to touch her tongue with mine at the drinking fountain. I did. She said I was the only one who would do it. She’d asked around. And then some years later someone said they’d give me some money if I asked the bio teacher what was missing in the crotch of the mannikin on her desk. I got the money.
I cannot tell you how many such incidents filled my school years but, yes, I was ready to try stuff.
And when I got my 4 x 5 camera and wanted to try it out, well there I was, wasn’t I? So I held it out as far a my arms would go – they aren’t all that long – and click. Too shy to ask someone to model, I guess. Remember I was on the doing side, not the asking. Asking is a life-long task – a thing confounded. The wallflower in me craves the wall.

Start with a shot, then go for it.

Flying The Coup


This morning the dogs did what they have been studying and wanting to do for some time. For two years they have watched Cho hop the fence. Easier for a Galgo Espanol than a couple of muscled Greys and a chunky Jack.
I’ve noticed Guinnie looking at Cho and moving her body, cocking her head – looking to my human eye like she’s trying to figure it out. Jules runs after Cho as he scales the fence, all bark and teeth. Jules wants to stop him or at least not have to see him. But I thought I saw him doing some stretching exercises yesterday – maybe last week, too. Cho just looks at them like he’s the Man. He looks at me that way too when I try to outrun him barefoot in the morning dew. He just dances up to the fence and pops over. Done.
Well this morning I saw them all fly over while I was making tea. They sailed across the fence and out into the farmer’s field hardly stepping on the muddy ruts – hope that means their feet won’t be so muddy.
I couldn’t believe I was seeing Liam in such a leap – he was airborn! Mouth open, ears flying, the only Jack Russell to have scaled such a height. All his back was muscled and his hair flying in the wind of his creation. It was a beautiful sight. And the greyhounds were only a little in front of him. Not the leaps and bounds behind he usually is. What an amazing spectacle they all were. They flew around above the house – taking Cho’s line of “whaddya going to do about it?” to new heights before they took off to parts unknown.
Well luckily I have a friend with a small plane, called him and he’s on his way. We’re going to get up to a few hundred feet and see if we can see them and where they might have gone.
To be continued….

My Mother Was Young Once

My mother was young once
And when the moon was high
She would sit on the porch
In the evening of her youth
And sing to the sky

My mother had a way of being herself and always playing a role. She had a “stage” name, just in case she got there. But she never tried for the stage where she’d need a different name. Wherever she was was her stage and in my experience the “play” could be tragedy or comedy or farce. It was hers to play, and she did.

April Is Poetry Month!

I’m going to put some poems here – these are ones I wrote many years ago -

The Next Step

I took four steps once.  And then I did it again.
As long as there are three in front, I’m good.
Steps, that is.  I no longer hold my breath,
I look at my feet when they begin to move.

I make sure they are headed where I want to go,
then I get there as fast as I can.

It’s taken me years to complete a step
but that’s how it is and I like it that way.
At this speed I can see the holes pretty clearly
I can avoid the larger of the holes and ruts
though I can stagger for days. Where I go is truer
than where I was when I started.

 

 

 

 

 

 

this is me some years before I wrote the poem.
another:

This Is Grace

One single Being reaches out.
collects another.
They become a world.
That’s me on the right, aren’t I lucky? That’s my oldest friend Debbie on the left. I have another oldest friend, Bill, but no one took a picture of us until we were older. I’ll include that one day.

Forgotten, Unforgiven

 

Those Little White Things

Im in pain, you helped me
I want a buzz, you helped me
You brought your friends with you
And they helped me get through
But that was at first and now i dont want you

I think of you always and the rush you made me feel
It was more about that when the pain wasnt real
But now you’ve latched on and its just me and you
You make me feel normal and keep me happy too
But thats not enough when i think of what you’ve put me through

Iv tried to go without you and i felt like i was dying
I didnt realise it was you and how hard you were trying
And now your inside me and youve latched on so tightly
I have to visit you early, daily and nightly
Why to you hurt me? And push me? And fight me?

I know i should leave you but im scared of what you might do
I left you for a day and i barely pulled through
The crying and screaming and psychosamatic sickness
I never thought you were capable of doing this
Why do you do this? WHY DO YOU DO THIS?

I know il be free from you some day soon
But for now il still visit you up in my room
Your ruining my life and you dont give a damn
Your name is Tramadol 100 milligram

Dean Ingham

I went on a site called poemhunter to see what was there. I saw this poem right away and was the first to view it. The poet was born on May 1st 1990. I am awestruck by the clarity of his statement, the rhythm of simplicity and wholeness that is at the heart of his message. I wonder what I would think if I saw him passing by, wanting to date my daughter (one of whom is his age), taught him – what would I be thinking? Would I ask him if he had any poetry to show me?

It’s something to think about. Isn’t it?